You will stay riveted to the seat for the whole movie. Typical Malayalis may wonder over the thrills. Everyone who watched Thira might be eagerly waiting for the second film, but not me, because I cannot take pretentious idiots fooling around with cameras and scripts and stuff. Catching the cold from Hollywood studios on how to make easy money by creating anticipation, Vineeth Srinivasan disappoints. That is not cinema! The minor twists failed to impress me as they were all weak in enactment and towards the end, giving hint at a sequel, the film ends abruptly like it just did a wonderful job. Nothing is actually displayed in this film, but told and made-believe by the characters. Music is fine and so is the art/setup/locations.
What was becoming a suspense thriller turned out to be so predictable, the f-word I was talking about flashed on the screen. As a result, I lost interest in the plot. After creating a web of theories, the cardiac surgeon and a nobody, played finely by Shobhana & Dhyan, carry out westward investigation and try to almost crack the case. They talk about the plight of these girls and we are supposed to visualize (great!), they talk about a journalist-cum-spy-cum-writer-cum-bachelor in cryptography-cum-hero-cum-social activist-cum-genius who paves the way and we are supposed to worship him, they say a cardiac surgeon is a brave-heart, ironically we are supposed to think she is lady God or "Mai." Terrible! Characters meet & dispatch and then meet again so easily in this terrible screenplay, I wonder they all use jet-packs. Not talking about character depth, everything in this film works with dialogs.
Then new characters start barging in, like people do in clubs during happy hours. After complicating things for an average audience, it tells stories of different girls being abducted. Starting off with a complex, fast-paced dialog delivery b/w Shobhana and a minister, the plot gives away little as to what happens next but more as to what will happen in the second film of the trilogy which Thira is a part of. Thira shows all its fabrication nodes vividly while displaying a bold array of ruthless imaginary contexts on current affairs.
The best ones are those which do not let it show. 90% of the thriller films have some "fabrication/"fictional element/ploy in their plots so as to set the connections right in the screenplay/narration.
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